REVIEWS

The following are excerpts of press reviews of the music found on Thirteen of Everything's debut album, "Welcome, Humans". 

“…diverse, complex, beautiful… unexpected twists and turns… diverse, profound, devoid of commercial matter... interesting throughout.”  
    – Vitaly Menshikov, Progressor (progressor.net)  rating: 6/6 

 “Chops, melody and atmosphere in a winning formula…lots of instrumental interplay, and tons of melody. …classy instrumentation…”  
    – Pete Pardo, Sea of Tranquility (seaoftranquility.org) rating: 4/5 

 “…brilliant, inspired… material that is both heartfelt and wise.”  
    – Jedd Beaudoin, Ytsejam (ytsejam.com) rating: 4/5 

With Welcome, Humans, Thirteen of Everything offers us a beautiful album.”  
    – Jean-Pierre Lhoir, Music In Belgium (musicinbelgium.net) rating: 3.5/5 

 “…beautiful electric guitar…flashy synthesizer flights, powerful vocals, dynamic interplay and many shifting moods.”  
    – Erik Neuteboom, Background Magazine (backgroundmagazine.nl) rating: 3/5 

cool, catchy, dynamic sympho art-rock…tends to put a smile on the listener’s face”  
    – Nuno, Prog Gnosis (proggnosis.com) rating: Recommended 

“...admirable consistency within the music and the album flows well with sufficient variety to maintain interest throughout.”  
    – Mark Hughes, Dutch Progressive Rock Page (dprp.net)  rating: 7/10 

“… one of the best multi-part progressive rock numbers of the last decade.” 
    –Ian Fairholm, Progressive Ears (progressiveears.org)  

Masterful arrangements, soaring guitar…clear, resonate structure, mindful melodies, and intriguing lyrics are in store for the listener.”  
    – zDavid, reviewer on Amazon (amazon.com)  

“…the complexity of Gentle Giant, Genesis and Yes, and loads and loads of melody.”  
    – Mac Beaulieu, Exposé magazine, issue #26 (expose.org) 

“…much more interesting than most of the prog-by-numbers we are asked to digest these days.”   
    –  Sean McFee, Exposé magazine, issue #33 (expose.org) 

It seems like a perfect album. Electricity and poetry meet in search of a modern sound…”  
    – Giancarlo Bolther, Rock Impressions (rock-Impressions.com) 

“…lush symphonic rock delivered with the skill & chutzpah of the ‘70s elder statesmen.”  
    – Warren Barker, Progression magazine  

“… themes change and build, break into soft acoustic piano or guitar with subtle vocal sections, then swiftly turn into full group flurries of electric bliss. …consistently moves steadily forward and maintains strong melodies and attention grabbing meter shifts.”  
    – Dan Bobrowski Prog Archives review  

Strong lyricism, structured melodies…a true work of art.”  
    – Fred DelForge, ZicaZic (zicazic.com) 

“... really exciting ... complex, symphonic, tight and very professional ... strange chords and progressions ...excellent…"  
    – Fred Trafton, Editor, GEPR (gepr.net) 

“…great dynamics between melancholy and euphoria…”  
    – Volkmar Mantei, Ragazzi  (ragazzi-music.de) 

 “…excellent progressive rock with symphonic harmony mixing modern sounds to complex structures.  … melody and vast passages with complex instrumentation.”  
    – Prog-Résiste, issue #35 (progresiste.com)